Film Review: Blue is the Warmest Colour (La Vie d’Adèle)



Before watching this film I did a lot of research on it. I read many reviews of the film, watching interviews of the cast, and even followed the drama that unfolded between the director and actresses in the movie. Though I was excited to see the film that received rave reviews from Cannes, and got enticed to watch it by the amount of buzz that was circulating on it, I honestly wish that I hadn’t read anything before watching it. By the time that I got around to watching the film, when it was released on Netflix, I knew the whole plot line and was just waiting for certain events to unfold rather than watching it with no assumptions. That being said, I wouldn’t recommend that you keep reading if you haven’t seen the film yet. Some people don’t mind knowing the plot, but mystery is one of the greatest elements of film and art in my opinion.

The basic plot line revolves around the turbulent relationship between Emma (Lea Seydoux) and Adèle (Adèle Exarchopoulos). Adèle is a high school student when she meets Emma, an older woman with whom Adèle forms a relationship with. At first Adèle is hesitant as she questions her sexuality but throughout the film you are able to see her grow into a confident and complex woman.

Firstly I would like to discuss the performances. Though Adèle Exarchopoulos and Lea Seydoux both gave noteworthy performances, for myself and many others Adèle captured her character in a truly honest and endearing way. I thought that she not only gave a convincing performance but also seemed to leave a part of herself with the character that she played. In interviews she is known to be blunt and honest about grueling production process that she faced thanks to the persistence of director Abdellatif Kechiche to capture the actresses at their most vulnerable and exposed moments.

To be honest the sex scenes in the film were rather over the top. Although I was able to see the raw passion between the couple and the uninhibited way that they related to one another, I also felt that drawing the sex scenes out to be so dramatically long and explicit was pushing the line towards shock factor. Other than this element I loved the film the characters were complex and the realism of the cinematography of the film was beautiful. I would highly recommend watching, just not to those who are shy!


  1. what’s “over the top” about those sex scenes and “shock value” ? Really? when 2 people who are hot for each other are making love to each other like most people they don’t do it in 2 minutes but they take their sweet time (pun intended) and isn’t lovemaking about closeness and pleasure? I get it and be frank about it you are bothered that a straight man had the audacity to show lovemaking like lovemaking is done all day;every day but every one gay or straight around the world and he didn’t sugarcoat it! The hypocrisy of those complaining about those love scenes is too much .NOBODY is thinking “over the top” and “shock factor” when THEY are making love but it becomes an issue when it is shown on the big screen.What YOU are bothered with is Kechiche sticking a mirror in YOUR face.He did it without stupid lights and music

    Shock factor and over the top you would think are scenes of rape and human beings being blown up but nope love making is


    • Shock value comes in a variety of forms and degrees. I simply stated that for me and my viewing experience the sex scenes were more graphic than I wanted to see and just because we don’t share the same opinion it doesn’t mean that I’m nuts. I am not a hypocrite because I said that I think that there are things that can be kept private and not “shown on the big screen” and others who share this opinion aren’t either. Just because you have an opinion that goes against popular thought it doesn’t mean that you are “complaining”. The viewing of cinema is personal and different for everyone.
      This also had absolutely nothing to do with the director being a man, you will note that I didn’t say one word about that in the original article. If you believe in Kechiche’s vision and every decision that he made in the production of the film then go ahead you are an individual and can do whatever you want but know that I have the right to an opinion as well.


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